Television Academia Critical Analysis Pop Culture HBO Max’s ‘Station Eleven’ (2021-22) Is The Powerful Pandemic Story We Need byCatie McCarthyMay 24, 20229 minute read
Music Academia Critical Analysis Pop Culture Mitski’s “Laurel Hell” Isn’t Boxed In, It’s A Breakout byCaroline YuMay 19, 20229 minute read
Academia Cinema Critical Analysis Discourse Pop Culture “Consumerism, Cinema, And Zombies (Oh My)!:” An Exploration Of Consumerist Media byHailee BartzMay 17, 20229 minute read
Pop Culture Academia Critical Analysis Television Netflix’s Heartwarming Debut Of ‘Heartstopper’ (2022-) byIsabella MadrugaMay 12, 202210 minute read
Anime Analysis Academia AniManga Critical Analysis How The Chunin Exams Arc Built On The World Of ‘Naruto’ (2002-2007) byEdgar Ramirez JrApril 28, 20229 minute read
Discourse Academia Critical Analysis Pop Culture Television How ‘Euphoria’ (2019-) Uses Empathy To Destigmatize Addiction byBrianna FrancisApril 6, 20229 minute read
Critical Analysis Academia Cinema Discourse Pop Culture Less Is More, “The Texas Chainsaw Massacre” (1974) And “Texas Chainsaw Massacre” (2022) byHailee BartzMarch 30, 202210 minute read
Critical Analysis Academia Pop Culture Television ‘The L Word: Generation Q’ (2019-) Seeks To Right The Wrongs Of The Original (2004-2009) byHaley BeggsMarch 29, 202210 minute read
Music Academia Critical Analysis Pop Culture Samia’s “Stellate” Showcases ‘A Lover Who Gives Once And Takes Always’ byCaroline YuMarch 28, 20228 minute read
Cinema Academia Critical Analysis Pop Culture A Milestone In The Horror Genre: ‘A Nightmare On Elm Street’ (1984) byEdgar Ramirez JrMarch 24, 20227 minute read
Pop Culture Critical Analysis Television Why Hulu’s ‘Abbott Elementary’ (2021-) Should Be Next On Your Watchlist byAnthony VasquezMarch 1, 20225 minute read
Academia Cinema Critical Analysis Discourse Pop Culture A Dissection Of The Term “Elevated Horror” byHailee BartzFebruary 24, 202211 minute read
