Cinema Academia Critical Analysis Pop Culture Social Media Is Killer: How ‘Bodies Bodies Bodies’ (2022) Critiques The Digital Age byRebecca RadilloSeptember 13, 20228 minute read
Gender & Character Studies Cinema Fandom Meta Pop Culture Television Why Is WLW Content Less Popular Than MLM? byIsabella MadrugaJuly 19, 202216 minute read
Cinema Fandom Gender & Character Studies Meta Pop Culture The Importance Of How ‘Turning Red’ (2022) Normalized Being “Cringey” byIsabella MadrugaJune 29, 202211 minute read
Meta Academia Cinema Critical Analysis Fandom Pop Culture Intergenerational Trauma — It Has Always Been Here, Just Not Like This byCaroline YuJune 16, 20227 minute read
Critical Analysis Academia Cinema Pop Culture The Daniels’ ‘Everything Everywhere All At Once’ (2022) Is An Ode To Finding Meaning In The Chaos byHailee BartzMay 30, 20228 minute read
Meta Cinema Fandom Pop Culture Television The Reality Of Fake Fandoms — An Analysis Of “Unreal” Media Fans byAbby KirbyMay 26, 20229 minute read
Academia Cinema Critical Analysis Discourse Pop Culture “Consumerism, Cinema, And Zombies (Oh My)!:” An Exploration Of Consumerist Media byHailee BartzMay 17, 20229 minute read
Cinema Academia Discourse Pop Culture What Makes ‘Nacho Libre’ (2006) An Uplifting Indie Comedy For Everyone byRebecca RadilloApril 8, 20228 minute read
Gender & Character Studies Cinema Pop Culture How ‘Insidious’ (2011) Disrupts Conventional Horror Narratives byLauren MorganApril 4, 20226 minute read
Critical Analysis Academia Cinema Discourse Pop Culture Less Is More, “The Texas Chainsaw Massacre” (1974) And “Texas Chainsaw Massacre” (2022) byHailee BartzMarch 30, 202210 minute read
Cinema Academia Critical Analysis Pop Culture A Milestone In The Horror Genre: ‘A Nightmare On Elm Street’ (1984) byEdgar Ramirez JrMarch 24, 20227 minute read