Fandom Gender & Character Studies Internet Subculture Literature Exploring Mental Health In ‘Heartstopper: Volume 4’ (2022) byIsabella MadrugaJanuary 27, 2022
Gaming Critical Analysis Fandom Pop Culture Growth And Change In Nintendo’s “The Legend of Zelda: Ocarina Of Time” (1998) bySabin BottomstoneJanuary 26, 2022
Anime Analysis AniManga AniManga Discourse Fandom Internet Subculture Meta The Relatability Of ‘Komi Can’t Communicate’ (2021-) byEdgar Ramirez JrJanuary 25, 2022
Comic Book Television & Film Pop Culture The Triumph Of ‘Superman And Lois’ (2021-) byMitchell LeungJanuary 18, 2022
Internet Subculture Fandom ‘Morbid: A True Crime Podcast’ (2018-) Reclaims The Danger Narrative byLauren MorganJanuary 12, 2022
Comic Book Reviews Comics ‘Blade Runner 2029 #10 And #11’ Show That Miracles Hide Bastard Truths byKyle ScherJanuary 11, 2022
Gender & Character Studies Academia Cinema Critical Analysis Fandom Pop Culture A Deconstruction Of The Idealized Bride In Bettinelli-Olpin and Gillett’s ‘Ready Or Not’ (2019) byHailee BartzJanuary 7, 2022
Music Cinema Pop Culture Music Of Isolation: How Scores Convey Hopeful Loneliness byCatie McCarthyJanuary 6, 2022
Comic Book Television & Film Fandom Meta Pop Culture ‘Spider-Man:’ The Intertextual Superhero byAbby KirbyJanuary 5, 2022
Gaming Pop Culture Something Ends, Something Begins: A Retrospective On The Witcher Saga (Part 22) byKyle ScherJanuary 4, 2022
Gaming Pop Culture Something Ends, Something Begins: A Retrospective On The Witcher Saga (Part 21) byKyle ScherJanuary 3, 2022
Comic Book Television & Film Pop Culture Jon Watt’s ‘Spider-Man: No Way Home’ Is A Magical, Multiversal Masterpiece byJulianne KerverDecember 31, 2021
