Comic Book Reviews Comics ‘Blade Runner 2029 #10 And #11’ Show That Miracles Hide Bastard Truths byKyle ScherJanuary 11, 2022
Gender & Character Studies Academia Cinema Critical Analysis Fandom Pop Culture A Deconstruction Of The Idealized Bride In Bettinelli-Olpin and Gillett’s ‘Ready Or Not’ (2019) byHailee BartzJanuary 7, 2022
Music Cinema Pop Culture Music Of Isolation: How Scores Convey Hopeful Loneliness byCatie McCarthyJanuary 6, 2022
Comic Book Television & Film Fandom Meta Pop Culture ‘Spider-Man:’ The Intertextual Superhero byAbby KirbyJanuary 5, 2022
Gaming Pop Culture Something Ends, Something Begins: A Retrospective On The Witcher Saga (Part 22) byKyle ScherJanuary 4, 2022
Gaming Pop Culture Something Ends, Something Begins: A Retrospective On The Witcher Saga (Part 21) byKyle ScherJanuary 3, 2022
Comic Book Television & Film Pop Culture Jon Watt’s ‘Spider-Man: No Way Home’ Is A Magical, Multiversal Masterpiece byJulianne KerverDecember 31, 2021
Comics Comic Book Reviews Life Is Strange: Settling Dust #2 And #3 Show That There Is No Gain Without Some Pain byKyle ScherDecember 31, 2021
Pop Culture Cinema Fandom Meta Television The Enduring Career Of Mark Hamill byBen BuchholzDecember 30, 2021
Critical Analysis Academia Cinema Pop Culture Television Money Is The Root Of All Evil: Characters In ‘Parasite’ (2019) And ‘Squid Game’ (2021-) Who Rely On Cash As A Source Of Motivation byAshia ReidDecember 29, 2021
Critical Analysis Academia Cinema Lonely Cinema: Urban Alienation, Solitude, And Longing In Wong Kar-Wai’s ‘Chungking Express’ (1994) byEmily MartinDecember 28, 2021
Gender & Character Studies Academia Cinema Discourse Fandom The Ideology Of Girl On Girl Crime In Kumble’s ‘Cruel Intentions’ (1999) byBrianna FrancisDecember 27, 2021