Pop Culture Academia Cinema Critical Analysis “The Grotesque And The Isolated” — Transgressive Bodies In ‘Visitor Q’ (2001) & ‘Elfen Lied’ (2002-2005) byHolden WalkerApril 24, 202510 minute read
Gender & Character Studies Academia Critical Analysis Fandom Meta Pop Culture Television How ‘Hannibal’ (2013-15) Redefines Horror & Queer Media With Abstract Storytelling byGracianna CrottsMarch 31, 20258 minute read
Cinema Pop Culture Explore The Chilling World Of Southeast Asia’s Best Horror Films byAinsha Nurashanti MilandeMarch 4, 202510 minute read
Gender & Character Studies Cinema Fandom Meta Pop Culture The History Of Women In The Horror Genre byLeah QuinteroJune 8, 20239 minute read
Critical Analysis Academia Cinema Discourse Pop Culture Analyzing The Cultism Of Hawthorn In ‘The Menu’ (2022) byLiz YoungFebruary 16, 20239 minute read
Cinema Academia Critical Analysis Pop Culture Social Media Is Killer: How ‘Bodies Bodies Bodies’ (2022) Critiques The Digital Age byRebecca RadilloSeptember 13, 20228 minute read
Gender & Character Studies Cinema Pop Culture How ‘Insidious’ (2011) Disrupts Conventional Horror Narratives byLauren MorganApril 4, 20226 minute read
Cinema Academia Critical Analysis Pop Culture A Milestone In The Horror Genre: ‘A Nightmare On Elm Street’ (1984) byEdgar Ramirez JrMarch 24, 20227 minute read
Academia Cinema Critical Analysis Discourse Pop Culture A Dissection Of The Term “Elevated Horror” byHailee BartzFebruary 24, 202211 minute read
Gender & Character Studies Academia Cinema Critical Analysis Fandom Pop Culture A Deconstruction Of The Idealized Bride In Bettinelli-Olpin and Gillett’s ‘Ready Or Not’ (2019) byHailee BartzJanuary 7, 202211 minute read
Meta Cinema Fandom Pop Culture 25 Years Later — Why Wes Craven’s 1996 ‘Scream’ Is Still A Bloody Good Time byJulianne KerverDecember 3, 202111 minute read
Cinema Pop Culture The Problems With ‘The Conjuring 3: The Devil Made Me Do It’ (2021) The End Of An Era byAnthony VasquezNovember 22, 20215 minute read
